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32,661Followers+0.2%over 28 days · +72
THE ARTIST FILE / United States
Josh Kerr is a Grammy-winning and CMA-nominated hit-songwriter and music producer.
THE CURRENT PICTURE
Audience observations, with the dates and context that make them useful.
Josh Kerr has 94,480 Spotify monthly listeners in the Sep 21, 2026 observation. Monthly listeners measure the audience across a rolling 28-day window.
Across the measured 28-day comparison, that audience grew by 100.5% (+47,354 listeners). The comparison describes recorded audience movement.
Josh Kerr is currently #8 on our Signals Top 25, with a score of 83.6/100. That ranking uses the Sep 21, 2026 catalog dataset, including its monthly audience comparison and the supporting measures shown below.
Sydney, New South Wales, Australia has the largest audience in the 49 listening cities available here: 1,812 monthly listeners on Sep 21, 2026. The city table below shows the size and movement of each observed market.
Beyond monthly listening, 19 platform audiences are tracked below, with their own counts, dates and available growth comparisons. The social picture shows where the following is concentrated and which channels are gaining.
ON THE RECORD
Explore Josh Kerr’s recordings, playlist presence, monitored radio and verified news.
| ArizonaJosh Kerr | 2020-07-03 | Not observedPerformance check queued | No comparison |
|---|---|---|---|
| Fall in LoveJosh Kerr | 2020-06-05 | Not observedPerformance not checked | No comparison |
| Have To Be My HometownJosh Kerr | 2022-03-11 | Not observedPerformance not checked | No comparison |
| I Didn't Love YouJosh Kerr & Lauren Weintraub | 2021-12-03 | Not observedPerformance not checked | No comparison |
| If This is the EndShelby Darrall & Josh Kerr | 2021-02-12 | Not observedPerformance not checked | No comparison |
| Pick up Where We Left OffJosh Kerr | 2020-11-06 | Not observedPerformance not checked | No comparison |
| Still Our TownJosh Kerr | 2019-08-09 | Not observedPerformance not checked | No comparison |
| Thought This Through (feat. Emily Falvey)Emily Falvey & Josh Kerr | 2020-08-07 | Not observedPerformance check queued | No comparison |
| Where Did We Go?Josh Kerr | 2022-04-15 | Not observedPerformance not checked | No comparison |
| Wild ThingJosh Kerr | 2022-07-22 | Not observedPerformance not checked | No comparison |
Recordings are a bounded selection, and playlist and radio tables may show only part of the available results. A first check establishes a baseline; a later observed change is not proof of when an event began or what caused audience growth.
Playlist positions concern individual songs. Monitored radio plays are not total radio audience. Streams, listeners and playlist subscribers are different measures.
FROM THE EDITORIAL DESK
WHISKEY TWANG / COVERAGE
A guide to Josh Kerr’s work with Kelsea Ballerini, Dylan Scott and Keith Urban, his own music, and his latest audience numbers.
Sep 23, 2026Read the storyAUDIENCE & GROWTH
Spotify monthly listeners · rolling 28 days
Sort the table by date or listeners. The graph always follows time. Gaps longer than 36 hours are not connected; rolling windows overlap and should not be added together.
| 47,037 | |
| 47,126 | |
| 46,916 | |
| 46,730 | |
| 46,611 | |
| 46,664 | |
| 46,562 | |
| 50,585 | |
| 51,684 | |
| 53,743 | |
| 61,816 | |
| 69,833 | |
| 72,476 | |
| 77,595 | |
| 84,408 | |
| 91,829 | |
| 94,480 |
WHERE THE MUSIC LANDS
Swipe for all columns · tap a heading to sort.
| Sydney, New South Wales, AustraliaAU | 1,812 | +42.8%+543 listenersvs Sep 14, 2026 | |
|---|---|---|---|
| Brisbane, Queensland, AustraliaAU | 1,670 | +46.6%+531 listenersvs Sep 14, 2026 | |
| Chicago, Illinois, United StatesUS | 1,576 | +24%+305 listenersvs Sep 14, 2026 | |
| Melbourne, Victoria, AustraliaAU | 1,186 | +40%+339 listenersvs Sep 14, 2026 | |
| Charlotte, North Carolina, United StatesUS | 1,177 | +35%+305 listenersvs Sep 14, 2026 | |
| Minneapolis, Minnesota, United StatesUS | 1,128 | +31.2%+268 listenersvs Sep 14, 2026 | |
| Dallas, Texas, United StatesUS | 1,113 | +34.1%+283 listenersvs Sep 14, 2026 | |
| Philadelphia, Pennsylvania, United StatesUS | 1,093 | +37.5%+298 listenersvs Sep 14, 2026 | |
| New York, New York, United StatesUS | 1,058 | +30.3%+246 listenersvs Sep 14, 2026 | |
| London, England, United KingdomGB | 1,037 | +50.5%+348 listenersvs Sep 14, 2026 |
City audiences can guide local research. Listening counts do not establish ticket or merchandise demand.
SIGNALS / #8
Audience comparison from the Sep 21, 2026 dataset.
95.2% reported monthly growth; 30 points at 100% or higher.
44,792 increase in the monthly-listener total; a logarithmic scale capped at 25,000.
26.7% reported weekly change; positive growth of at least 100 earns up to 15 points at 10%.
92.4% reported quarterly change; positive growth of at least 500 earns up to 10 points at 50%.
1 qualifying follower platforms; 5 points each. Each needs a baseline of 250, an increase of 50 and 2% monthly growth.
The listener date identifies the catalog dataset; individual metric observation dates and exact comparison boundaries are not supplied for catalog measurements. Detailed channels retain their own dates.
Monthly listeners are a rolling audience, not streams, new unique fans or ticket demand.
A guide to Josh Kerr’s work with Kelsea Ballerini, Dylan Scott and Keith Urban, his own music, and his latest audience numbers.
THE ARTIST / EDITORIAL PROFILE
Red Light Management presents Kerr as both a songwriter and producer, identifying him as Grammy-winning and CMA-nominated. That framing matters: his public profile is built around the records and songs he helps make, not only a front-of-stage artist identity.
The credits point to a behind-the-scenes catalog. Red Light connects Kerr to No. 1 songs associated with for KING & COUNTRY, Dylan Scott and Kelsea Ballerini, and places him in the co-writing and co-production credits for Keith Urban’s Graffiti U, which received a CMA Album of the Year nomination.
Kerr’s own site gives readers a straightforward starting point: it presents “Back to Where You Came From” as out now and offers a listen prompt. Red Light’s biography adds one piece of personal context, saying he grew up in upstate New York.
Whiskey Twang Signals recorded Kerr as a first entry in its own ledger, at No. 14 with a Signals score of 83.6. The saved audience dataset lists 91,829 Spotify monthly listeners, with a provider-month comparison of 44,792 additional listeners from a 47,037 baseline.
Those figures belong to Whiskey Twang’s research context. They can help readers understand why Kerr is on this Signals introduction, but they are not an industry-wide chart position, a forecast or an explanation of what caused audience movement.
Facts last checked September 23, 2026.
Each count carries its available observation or catalog update date. Platform audiences overlap, and monthly listeners are a rolling audience rather than daily streams. Missing observations are not zero.
Latest saved data retrieved Sep 23, 2026.
View underlying artist data Signals methodology